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Trombone Mouthpiece Overview

"Just get one of these - After 50 years of playing a Vincent Bach 4G I felt I needed a bit of help ... This is the only mouthpiece that can give me that big 4G sound but also really helps out in the stamina department. My range instantly went up 3 to 4 semitones as well ... The sound (which is everything) is magnificent with more rich overtones than the Bach. Get a zoom meeting with Doctor Dave and let him help you too!! -R B M."

Find the Right Mouthpiece - Match the Tool to the Job

  • Materials include silver-plated brass and our Hybrid models, which combine a medical-grade ceramic polymer rim and cup liner with a brass base.
  • The Hybrid option is the most popular—offering a warmer sound, greater comfort, and better value.
  • We make over 25 different models listed here.
  • The needs of most players are met by one of the 14 options listed below.

Mouthpiece Categories

Choose the type of playing you mostly do to see best mouthpiece options.

Pereferred Sound for Bass Trombone

  • Power and projection
  • Strong low register

Typical Diameters - 1.06 to 1.14 inches

Cups - G, D, XD cups.

G Cups

  • Shallowest cup for bass trombone
  • Slightly deeper than Bach 1-1/2G cup
  • More projection and support in the upper register than D and XD cups

D Cups

  • Intermediate bass trombone cup depth
  • Similar to Schilke 59 cup
  • Best combination of upper and lower performance for many players

XD Cups

  • Extra deep cup for bass trombone
  • Huge sound and even response in all registers despite the deep cup
  • Requires a strong player to get the most out of this cup depth

Top 4 Bass Trombone Mouthpieces

# 1 - 112D (Formerly S59)

ID 1.12 inches (28.25 mm)
Throat .298 inches (7.57 mm)
  • Most popular model for advanced amateur and professional players.  
  • Intermediate cup depth between extra deep Bach 1G, Schilke 60 and smaller, shallower Bach 1 - 1/2G , S58.
  • Great balance of lower and upper register performance and sound.
Similar to:
  • Shilke 59

"S59 Bass Trombone mouthpiece--an educated choice! - After having a "love affair" for so many years, with the "bigger is better" mouthpieces, I discovered the "Wedge" and Dr. Dave! This combination led me to the S59 Wedge. My long search for the sound and clarity I had sought for so long, was finally achieved! The results have drawn many favorable comments from my fellow Trombone players. Thank you, Dr. Dave! -Rbert U"




#2 - 108G - Best for range and endurance

ID 1.08 inches (27.43 mm)
Throat .280 inches (7.11 mm) or .300 (7.62 mm)
  • The 108G is at the smaller end of the bass trombone mouthpiece range and is an excellent choice for an advancing player or someone who needs an efficient mouthpiece providing lots of range and endurance.
  • Availble with a .280 and .300 inch throat.
  • Bach 1.5 and 1.25 players will be more at home on the .280 throat.
  • Schilke and Yamaha players will usually prefer the larger .300 throat that resembles thier usual mouthpiece.
Similar to
 
  • Bach 1.25G
  • Bach 1.5G
  • Bach 2G
  • D Wick 2AL
  • Schilke 58
  • Yamaha 59

"A delightful Surprise - This is the first Wedge piece I have tried and a few short weeks later I have 3 more on the way if that says anything about how I felt about this one! I was shocked at how comfortable it was while managing to be more flexible than my standard shaped 1.5G. Can't wait to get the other ones I ordered! - Matthew B"






#3 - 114D - Large dameter and deep cup for a balanced sound

ID 1.14 inches (28.96 mm)
Throat .310 inches (7.87 mm)
  • The 114D has the same rim as the 114XD, but has a slightly shallower cup depth, more similar to a Schilke 59 or Bach 1.25G.
  • It is a great choice for someone who likes the feel of the large Bach 1G or Schilke 60 rim, but who wants the improved efficiency and projection offered by a slightly shallower cup.
Similar to:
  • Denis Wick 0AL

"The mouthpiece is proving to be a good investment. Everyone is remarking on the improvement in my sound and I am finding a lot more ability to centre notes, along with the improved register and stamina it is doing exactly what it says on the box. Great buy. - Colin R"




#4 - 114XD - Huge, powerful sound.

ID 1.14 inches (28.96 mm)
Throat .320 inches (8.13 mm)
  • Our largest, deepest bass trombone mouthpiece.
  • Players switching to the Wedge will usually get better range and endurance, but if these are serious issues the slightly shallower Wedge 114D, or slightly smaller diameter Wedge S59 listed above, might be better choices.
Similar to:
  • Bach 1G
  • Denis Wick 00AL
  • Hammond 21BLX
  • Schilke 60
  • Yamaha 60
  • Yamaha Yeo
"The perfect mouthpiece - I’ve had my 114XD for three years now. It is the best bass trombone mouthpiece I have ever owned. With this mouthpiece, I have good flexibility without getting tired. It gives me an incredible amount of power in the lower and pedal register, whilst still affording me a very comfortable top register. The size took a while to get used to, but now I have I can’t see me playing any other mouthpiece. -Andrew B"


Preferred Sound for Symphonic Tenor

  • Balance or wamth and projection when needed
  • Also commonly used for euphonium and Bb baritone

Best suited for:

  • Orchestra
  • Concert band and wind ensemble
  • Brass quintet

Typical Diameters

  • Most common ID 1.01 inches
  • Range from 0.98 inches to 1.04 inches

Cups:

  • AL, GS, and G cups

AL Cup

  • Medium cup with a slight funnel shape
  • Similar to Bach 6-1/2AL cup
  • Relatively dark sound from a medium cup
  • Good for intermediate players and players needing something between the shallow C cup and symphonic G cup

GS Cup

  • Intermediate between AL and G cup
  • Similar to Bach 5GS cup
  • Good combination of projection and lower register performance
  • More upper register support and projection than the G cup

G Cup

  • Medium deep cup similar to Bach 5G
  • Most popular model for mature players in a concert band or orchestral setting
  • Well balanced sound with even response in all registers
  • Works very well with larger diameters and slightly deeper cup for bass trombone

Top 5 General Purpose Mouthpieces

#1 - 101G - The go-to mouthpiece for large bore tenor.

ID 1.01 inches (25.62 mm)
Throat .280 inches (7.11 mm)
  • Slightly deeper cup than a Bach TG or Schilke 51.
  • Standard workhorses for large bore tenor trombone.
  • Most players switching to the 101G will find that their range and endurance impoves despite the slightly deeper cup, and that the low end is also significantly better.
Similar to: 
  • Bach 5G
  • Shilke 51
  • Yamaha 51
  • Schilke 51D
"Terrific Result - The concept of the Wedge intrigued me and although I was a little skeptical as I spoke with Doctor Dave I soon learned he was very knowledgeable and my apprehension soon dissipated. I waited for my new mouthpiece to arrive wondering if I made a good decision. It arrived and over the next few days I quickly concluded I should have acquired it years ago. My tone is clear and strong, range has improved and endurance has increased. This is a wonder. With the trial guarantee, you can’t go wrong. -Brian McG"



#2 - 100G - Better endurance than 101G, slightly more compact sound

ID 1.00 inches (25.4 mm)
Throat .270 (6.86 mm)
  • Similar to the 101G, with a slightly smaller diameter.
  • Excellent choice for someone wanting the big, orchestral sound of the Bach 5G or similar mouthpiece with a slightly smaller and more efficient diameter.
  • Smaller ID will provide better endurance than the larger 5G / Wedge 101 rim without brightening the sound.
Similar to:  (But slightly shalower than)
  • Bach 5G
  • Shilke 51
  • Yamaha 51
"Better Than the Invention of Sliced Bread!!! - I was having trouble adjusting to doubling on tenor trombone as I have always been a Bass trombonist. With help of Dr Dave, I was able to select the correct mouthpiece to help my situation. From the first time I tried it I was amazed at how I could pop the high notes out with ease. After about a week of using it, I became a firm believer. It is so comfortable on the lips and you don't feel worn out at the end of your rehearsals and gigs. - Dean M"



#3 - 100AL - Medium cup depth option

ID 1.00 inches (25.4 mm)
Throat .270 (6.86 mm)
  • Fills the gap between the usual symphonic large bore tenor mouthpieces like the Bach 5G and the shallower C cup commercial mouthpieces.
  • Deeper than a Bach 6-1/2AL, Schilke 51B, and Yamaha 48, but not as deep as a Bach 5GS
  • Brighter sound than the 5G family of mouthpieces and an easier upper register.
Similar to: 
  • Bach 5GS
    Bach 6.5AL
    Schilke 51B
    Yamaha 48
"The Wedge Experience - I was really overwhelmed with my new wedge mouthpiece. I adjusted really fast to it (1 day). I love the fact that the acrylic mouthpiece is very light, It was easy for me to reach the sharp notes, it is easy on the lips giving me better endurance. I play a Bach TB400B with F attachment and It goes perfect with my new Wedge(100AL 2 Gen). I would certainly encourage all trombone and trumpet players to give the wedge a try...You"ll love the comfort while playing your instrument. -Nicolas B"



4 - 101GS - Great choice for more projection than 101G

ID 1.01 inches (25.62 mm)
Throat .280 inches (7.11 mm)
  • Slightly deeper than the Bach 5GS.
  • Excellent choice for large bore tenor when the player wants great projection and ease in the upper register without going as shallow as the Bach AL cup.
Similar to: 
  • Bach 5GL
    Bach 5GS
    D Wick 6BS & 6BL
    Remington
"Great half way lead piece - Been needing something brighter for commercial stuff in a 3 piece horn section in a pop band and 2nd bone in a big band. Compliments my old wedge 5G perfectly, really couldn't be happier. On another note, I've been using wedge mouthpieces since I rebuilt my chops after developing focal dystonia 12 years ago. They're a huge reason I still have a job and I'll always be eternally greatful for the innovative work Dr. Dave has continued to do with these great mouthpieces. - Ethan C."



#5 - 100GS - Better endurance than 101GS

ID 1.00 inches (25.4 mm)
Throat .270 (6.86 mm)
  • Little brother to the 101GS.
  • Rim diameter is slightly smaller than the Bach 5 series mouthpieces and very close to the Wick 6B rim.
  • The cup depth is very close to the Bach 5GL and deeper than the Bach 5GS, Schilke 51B or Bach 6.5AL.
  • Great alternative to the typical 5G symphonic style mouthpiece when a bit more brilliance and projection are desired, along with extra support in the upper register.
Similar to: 
  • Bach 5GL
  • Bach 5GS
  • D Wick 6BS & 6BL
"Positive experience - The positive experience: 1. The sound of all notes high and low was centered. 2. The high register was played with ease and it was easier playing from low to high and the reverse. 3. Improved intonations on certain notes. 4. The hybrid has a warm sound and my horn responded with better precision. 5. Definite improvement in range and endurance. 6. Thus far, the best mouthpiece for me. - Alfred P."


Perferred Sound for Jazz / Lead Trombone

  • Lead players generally like a bright sound with edge and projection.
  • Many jazz and small combo players not on a lead book prefer a somewhat darker sound

Typical Diameters

  • Diameters range from 0.95 to 1.01 inches
  • Smaller diameters provide better endurance for sustained upper register playing

 E Cup

  • Shallow cup similar to Bach E
  • Bright sound with lots of projection
  • Suitable for Alto trombone
  • Preferred by some for extreme lead playing

C Cup

  • Most popular choice for big band lead
  • Excellent for beginners
  • Typical shallow C trombone cup
  • Similar to Bach C cup
  • Good projection

AL Cup

  • Medium cup with a slightly funnel shape
  • Similar to Bach 6-1/2AL cup
  • Relatively dark sound from a medium cup
  • Good for intermediate players and players needing something between the shallow C cup and symphonic G cup
  • Not a typical choice for dedicated lead playing

Top 5 Mouthpieces for Jazz / Lead

#1 - 98C - Most popular choice for small bore tenor
 
ID - .98 inches (24.89 mm)
Throat - .240 inches (6.1 mm) or .250 inches (6.35 mm)
  • Great support in the upper register with a big sound.
  • Available with a .240 inch throat and a larger .250 throat for a more open blow.
  • Stong players will get a bigger sound with the .250 throat.
Similar to:
  • Bach 7C
  • Bach 6.75C
  • Bach 11C
  • D Wick
  • Schilke 47
  • Yamaha 47

"Excellent moutpiece - This is the best mouthpiece I've ever played on. Response is solid throughout the range. Attack is clear, notes slot in nicely, and I have a better sense of intonation through the harmonic series. My upper range has always been a problem, and this mouthpiece has extended range considerably. I'm learning more each time I play on it. -John P."






#2 - 97C
ID .97 inches (24.62 mm)
Throat .240 inches (6.1 mm) or .250 inches (6.35 mm)
  • This is a great lead mouthpiece with a medium diameter.
  • Also works well for piccolo trumpet when a bright sound is desired.
Similar to:
  • Bach 7C
  • Bach 11C
  • Bach 12C
  • D Wick 10CS
  • Schilke 46
  • Yamaha 46C2
"97C Trombone Mouthpiece - The new Wedge mouthpiece is excellent! I am able to reach higher note range with little effort and my tone quality is much, much better! I am 110% satisfied with the Wedge mouthpiece. It’s allowing me to do exactly what I wanted to do and more. Thanks so much for the help! -John B."





#3 - 96C
 
ID .96 inches (24.38 mm)
Throat .240 inches (6.1 mm) or .250 inches (6.35 mm)
  • Excellent beginners mouthpiece.
  • Great choice for players wanting a small shallow mouthpiece for lead trombone.
  • Provides great support in the upper register and loads of projection.
  •  
    Available with a .240 inch throat and a larger .250 throat for a more open blow.
  • Stong players will get a bigger sound with the .250 throat, provided they have the air support required.
Similar to:
  • Bach 12C
  • Denis Wick 12CS
  • Schilke 45
  • Yamaha 45C2
"Excellent moutpiece - This is the best mouthpiece I've ever played on. Response is solid throughout the range. Attack is clear, notes slot in nicely, and I have a better sense of intonation through the harmonic series. My upper range has always been a problem, and this mouthpiece has extended range considerably. I'm learning more each time I play on it. -John P."





#4 - 100AL Small Shank - Great multi purpose jazz mouthpiece
 
ID 1.00 inches (25.4 mm)
Throat .270 (6.86 mm)
  • Similar to a Bach 5GS, but with a slightly smaller ID.
  • Slightly deeper deeper than the Bach 6.5AL, Schilke 51B, and Yamaha 48.
 Similar to:
  • Bach 5GS
  • Bach 6.5AL
  • Schilke 51B
  • Yamaha 48
"An Amazing Mouthpiece - Dr. Dave told me I had a 90-day free trial but that I wouldn't need 90-days: man, was he right! FROM THE VERY FIRST NOTE, I knew this mouthpiece was going to be something special. Clear tone, easier to reach upper register compared to my old stand-by Bach 6 1/2 AL, and--as advertised--longer endurance. I don't know how he does it but this thing performs just as promised. Heartily endorsed! -Jon R."



5 - 95E - Our smallest, shallowest mouthpiece for extreme lead

ID .95 inches (24.13 mm)
Throat .240 inches (6.1 mm) or .250 inches (6.35 mm)
  • Very similar to the Bach 22D.
  • Same ID as the 95C, but with a shallower E cup.
  • Also resembles the 15EW but with a slightly smaller ID, lacking the extra wide rim of the 15EW.
  • Good choice for maximum range and a bright sound.
  • Available with a .240 inch or .250 inch throat.
  • The larger throat is good for powerful lead players who find the throat of the stock Bach 22D and 15EW too restrictive.
"Amazing - I absolutely love this mouthpiece! I tend to view claims of improvements with a little bit of scepticism, especially where mouthpieces are concerned. However, the difference was immediate. Range wise I immediatley gained a couple of extra notes but more importantly where my highest notes were only available for a short while, with the wedge I have my range for the full rehearsal. Despite working hard on not using pressure I would find that my embouchure felt pretty beat up at the end of a big rehearsal with my regular mouthpiece. With the wedge even the toughest rehearsal doesn't cause issues. The icing on the cake was that immediately my sound was a little darker and more interesting than before. I've been playing the mouthpiece a while now and I won't be going back to my old mouthpieces. -Robert D"