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Hybrid Traditional Trumpet Mouthpieces


Why do we offer a non-Wedge mouthpiece?

Wedge Hybrid Traditional mouthpieces are designed for players who prefer a conventional rim shape but want access to the best non-metal mouthpiece we can make.

The response to our Hybrid Wedge mouthpieces has been overwhelmingly positive. That said, roughly 10% of players consistently perform better on a traditional, non-Wedge rim—even though they strongly prefer the feel and response of our Hybrid material. Over time, many of those players asked for a Hybrid mouthpiece without the Wedge rim.

So, we made one.

Construction and materials

Hybrid Traditional mouthpieces use the same materials and construction as our Wedge Hybrids, paired with a conventional rim profile.

Each mouthpiece features a 3D-printed polymer rim and cup liner that is permanently bonded to a brass base.

The rim and cup liner are made from a medical-grade resin used in the dental profession for permanent crowns. The material contains approximately 70% nano-ceramic particles, giving it physical characteristics similar to natural tooth material or bone.

It is certified as:

  • Non-allergenic

  • Non-irritating

  • Safe for prolonged skin and lip contact

Why Hybrid?

Compared to other non-metal and hybrid designs—including acrylic tops on brass backbores—the Hybrid design offers several important advantages:

  • No metal contact on the rim or in the cup, helping avoid allergic reactions (unlike plastic screw-on rims)

  • Warm feel on the lips, similar to other plastic mouthpieces

  • Smoother and more comfortable than silver- or gold-plated brass

  • Slightly more grip than silver, often improving endurance, but less grip than acrylic

  • Slightly warmer sound than brass

  • Secure slotting and note stability, very similar to brass and noticeably better than acrylic

  • More core and clarity than acrylic

  • Cleaner articulation than acrylic

  • Better feedback to the player than acrylic, with a connection to the horn that feels much like brass

  • Excellent durability, with far greater resistance to cracking or breakage than acrylic

Sizing

Sizing is based on familiar Bach- and Schilke-style models that most players already know, making it easy to choose with confidence.

Pricing (CAD)

  • One-piece mouthpiece: $335

  • Top only (for use with Wedge, Warburton, or compatible backbores): $245

 



1.5C Hybrid Traditional
ID .67 inches, 17 mm

Similar to:
 
BMV 1-1/2C, Bach 1-1/2C
GR 67L & 67LX
Monette B2
Schilke 15, 16, 16C4 & 17
Yamaha 16C4
Warburton 3MD
Description
 
The Bach 1-1/2C, Schilke 15-17 series, Yamaha 16C4, and similar mouthpieces, have historically set the standard for orchestral mouthpieces.
 
The 1.5C HT is based on a scan of a Bach Mt Vernon 1.5C. It is designed to fill the need for a dark, orchestral sound, but with the advantages of the Hybrid design.
 
Most players will be fine with the usual 27 throat. Strong players with good breath support will often prefer the bigger, broader sound and reduced resistance of the 25 throat.
 

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3C Hybrid Traditional
ID .665 inches, 16.9 mm

Similar to:
 
BMV3C, Bach 3C
GR66MX
Monette B3, B4S
Schilke 14B
Yamaha 14B

Description
 
The 3C HT, is the Wedge most similar to the Bach 3C. It is based on the Bach Mt Vernon 3C and has a cup depth that is slightly shallower than the Bach 1.5C, Bach 5C, and B7C. It therefore has a slightly brighter sound, and provides more support in the upper register than the 1.5C/5C.  
 
The 3C is a great all round mouthpiece for a wide variety of applications. The sound is a bit bright for an orchestral setting, depending on the player's natural sound and sound preferences. The Hybrid design does offset the brighter sound to some extent.
 
The 3C is very well suited to situations where a bit more efficiency and projection is desired, such as concert band, brass quintet, marching, and jazz band.
 

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5C/7C Hybrid Traditional
ID .66 inches, 16.8 mm

Similar to:
 
BMV 5C, Bach 5C & 7C
GR 66L & 66LX
Schilke 14 & 14C2
Warburton 4MD
Yamaha 14C4

Description
 
The 5C/7C HT is our version of the Bach 5C, Schilke 14, and similar mouthpieces. It is based on a scan of a Mt Vernon Bach 5C. The cup depth is the same as a Bach 5C, and slightly shallower than the Bach 7C. This is a slightly smaller alternative to the typical "orchestral" Bach 1-1/2C, .67 inch ID sizes.
 
The 5C/7C is an excellent choice for an advanced amature player or professional who wants the classic "orchestral" sound, but who has challenges with range and endurance.
 
It's also an excellent choice for advancing students who are not yet ready for the 1.5C. The more efficient .66 inch rim gives most players better endurance than the .67 inch rim, while keeping a similar, dark, if slightly more compact sound.
 
 

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7E Hybrid Traditional
ID .66 inches, 16.8 mm.
Similar to:
 
BMV7E, Bach 7E
 
 

Description
 
The 7E HT is based on the Bach Mt Vernon 7E. The Bach 7E is a very popular choice for piccolo trumpet, especially for players using a 1.5C or 3C size for the Bb or C trumpet.
 
The cup is slightly shallower than a Bach 3C, so it is also a good choice for a 3C player who want a bit or help in the upper register and a slightly brighter sound, without going as shallow as the 3D or 14A4A cup.
 

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3D/14A4A Hybrid Traditional
ID .66 inches, 16.8 mm
Similar to:
 
BMV 3D, Bach 3D
GR 66MS & 66S
Monette B4L
Schilke 14A4A
Warburton 4SV
Yamaha 14A4A

Description
 
The 3D/14A4A HT is similar to the Bach 3D and S14A4A, but with a slightly deeper cup than the S14A4A. It is based on a scan of a Bach Mt vernon 3D.
 
This is a great lead mouthpiece with a medium diameter. It also works well for piccolo trumpet when a bright sound is desired.
 

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10.5C Hybrid Traditional
ID .65 inches, 16.5 mm
Similar to:
 
BMV 10-1/2C, Bach 10 -1/2C & 7D
GR 65MX
Schilke 12B & 13B
Warb 5MD
Yamaha 11B4 & 13B4
 
 
 
 

Description
 
The 10.5C HC is one of our most popular sizes. It is based on a scan of a Bach Mt Vernon Bach 10-1/2C. This size is an underappreciated option for young beginners, and are a much better choice than the much deeper 7C.
 
This group of mouthpieces has a cup depth similar to a Bach 3C with a smaller diameter better suited for young players.
 
Being the little brother of the Bach 3C it is a very versatile choice for all round playing. It also works very well for piccolo trumpet.

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13A4A Hybrid Traditional
ID .645 inches, 16.38 mm

Similar to:
 
GR 65S
Monette MFII
Schilke 13A4A & 13A4
Yamaha 13A4A
Bobby Shew Lead
Kelly Screamer
 
 
Description
 
The 13A4A HC resembles the Schilke 13A4A, Yamaha 13A4A, Bobby Shew Lead, and Kelly Screamer , which are all very similar, popular lead mouthpieces. It is slightly deeper than the Bobby Shew Lead.
 
Note that the cup of the Schilke 13A4A is significantly shallower than the 14A4A.
 

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6A4A Hybrid Traditional
ID .63 inches, 16 mm

Similar to:
 
GR63S
Monette B9L
Schilke 6A4A
Yamaha 6A4A & 7A4

Description
 
The 6A4A HT provides excellent brilliance, projection, and slotting in extreme upper register playing.
 
The Schilke 6A4A and similar mouthpieces have a long history as very effective small diameter, extra shallow lead mouthpieces.

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